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A post by Andrew Cunningham, ecodesign research intern at Ecodesign Centre

As a Product design student I developed a strong interest in sustainable design and joining the Ecodesign Centre team was the opportunity to expand on my area of interest beyond ‘making things out of cardboard’ and understand what sustainability means in a professional world. I met with Frank the morning of my arrival to discuss areas of interest around design for the circular economy. We quickly decided that it would be good to investigate the life cycle of the disposable ball point pen, and the surrounding sustainable issues and possible opportunities to improve them, hopefully raise some interesting points along the way. My preconceived ideas on the investigation were that the ballpoint pens (the Biro) are clearly an unsustainable product and my goals were to find out how unsustainable, and what could be done to make it sustainable. During my time here however it became clear that in the world of sustainable design there is no simple black and white, and solutions are not straightforward. To gain a real understanding I had to analyse the life cycle in more detail. Luckily for me there is a wealth of knowledge on BIC® the company that revolutionised the biro and in particular their Cristal ballpoint pen (it’s got its own Wikipedia page). It made for some interesting reading as according to Wikipedia, up to 2004, 100 billion Cristal ball point pens had been manufactured, and as BIC® themselves admit their ’products are generally not designed to be recycled’, as the singular product is not significant enough in weight and volume to be considered recyclable (Societe BIC, 2005). It begs the question ‘where are they all now?’ To put that into context, if you were able to collect and stand each pen end on end, there would be enough to reach the moon and back 20 times and would weigh approximately 590,000 tonnes.

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European based Ecodesign Centres lead the way in making ecodesign happen through launching a first of its kind interregional collaborative network.

Given the challenges of a more sustainable Europe five prominent Ecodesign Centres and their respective regional governmentshave joined forces to create a collaborative platform to generate, disseminate and apply ecodesign and life-cycle thinking knowledge. This first of its kind agreement has been termed the European Network of Ecodesign Centres with the network launch, in partnership with the European Commission, at Ovam in Mechelen (near Brussels) on the 28th of November.

The respective founding centres are Ecodesign Centre (Wales), in partnership with the Welsh Government, Basque Ecodesign Center part of Ihobe (Basque Country), Ovam Ecodesign (Flanders), Effizienz-Agentur (North Rhine-Westphalia) and Pole Eco-conception (Rhone-Alpes).

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This is the first in a series of case studies showcasing ‘Made in Wales’ businesses.

Cleanstream Carpets Case Study

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In the last week we responded to two Welsh Government consultations – one on the Innovation Strategy for Wales and the other on the Sustainable Development Bill.

To support these consultations, we produced a position paper on how these policy areas are linked and what role ecodesign plays in these links.

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“a rare earth is neither rare nor an earth”
Andrew Bloodworth, British Geological Survey

Our relationship with technology weaves materials into our lives in complex ways. The humble mobile phone can contain 40 chemical elements and this number can increase to about 60 for more complex electronics. This is interesting considering the human body also contains approximately 60 elements.

Many of these chemical elements and materials improve our lives and underpin our society and economies. A problem for me is that we often have a poor understanding where these materials come from and of the impact that have on the environment and on the people involved in their production. There are also concerns around the availability and access to these materials especially in the context of global population growth and the burgeoning consumption among the new “middle classes” in the BRIC countries.

This week I attended a workshop co-hosted by the French Embassy and UK Technology Strategy Board that brought together experts from different sectors to discuss and share knowledge on a variety of issues related to critical metals. There is no consistent agreement of what we mean by ‘critical’ but generally it relates to the lact of long-term secure and consistent supply of these metals. The factors impacting on the supply include the social, environmental, economic limits and geo-strategic and political issue that constrict our ability to extract and transform these materials.

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On Wednesday I attended an Insider breakfast event hosted by Douglas Friedl at the Mercure Holland House Hotel, Cardiff. The event was well organized with a particularly good turnout from Welsh industry. Structured around a panel debate, to launch Made in Wales Awards 2012, the audience had been invited to submit questions in advance. The questions covered a broad range of issues including skills, infrastructure and the wider perception of Wales as a brand. My question centred on the panel’s view of environmentally and socially responsible design within their vision of sustainable growth. Their responses to my question are summarised here.

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I presented at Business In The Community’s annual Mayday Summit last week. The key message I wanted to communicate was the value of creativity, through design and innovation, in delivering a Zero Waste Wales. The evolution of Orangebox’s product portfolio clearly demonstrates design as both a tool and a strategy for waste reduction across the lifecycle of a product.

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DOThe ‘do’ chair is the latest in a line of ecodesign-led products from Welsh contemporary office seating company, Orangebox, who are no ordinary seating company. They take their environmental and social responsibility seriously. They care, and design accordingly. In fact design is at the core of their business model.

The ‘do’ chair is their most impressive offering yet. It looks great, has been designed to carefully consider its full life cycle (through to strategies for reuse), and shows without any doubt that ecodesign and good design are one and the same thing. The chair has a clear focus on less materials, parts and product miles without any compromise on style, quality or functionality.

It’s good timing too with the thought provoking Do Lectures on this weekend in West Wales, and Orangebox being a founding partner. All in the doing!

Have a look at their website and refreshing brochure. See also reviews from Think Furniture and Office Furniture Scene.

image source: Orangebox

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auralab recording textiles workshop from Ecodesign Centre on Vimeo.

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Link to presentation from Orangebox by Luke Palmer

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Hello all,

Have a look at the agendas for our ‘Zero Waste by Design’ event series.

The series starts on Wednesday morning, February 29th and finishes on Thursday afternoon, March 1st at the National Museum of Wales, Cardiff.

There are still some places available on http://zerowastebydesign.eventbrite.co.uk/

We’re looking forward to seeing everyone on the day.

ZWbyD_Agendas

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This is a short article I wrote for publication in the Chartered Institute of Waste Management newsletter.

 

Waste Hierarchy

 

image adapted from: http://ec.europa.eu/environment/waste/framework/index.htm

Increasing the use of recycled content in products is a vital strategy to achieve the Zero Waste targets as set out by the Welsh Government. As part of my PhD research with Orangebox, we have been looking at how businesses working in furniture design and manufacturing can do this. This research has highlighted that there is confusion across the industry regarding the differences between what it means to recycle, reuse, or treat waste through energy recovery. This misunderstanding is leading to a grouping of these categories into a single overarching ‘recyclable’ label that combines all three. More often than not, the evidence shows that reuse is better than recycling, is better than energy for waste, which is better than landfilling. Companies need to be more specific about how products and materials can be treated at the product’s End of Life.

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3 Questions

2 Minutes

6 Stakeholders

Where are the challenges in construction for the next 10 years?

What’s your opinion on the Towards Zero Waste strategy?

Where do you see the role of design?

Please see the interviews below,

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Ecodesign met the built environment on Tuesday last week (Nov 29th) in a collaborative event between the Ecodesign Centre (EDC) and Constructing Excellence in Wales (CEW). The morning’s event saw construction stakeholders gathering from across the industry. Architects, engineers, developers, builders, material and product manufacturers, and demolition all came together to discuss the issue of waste in the construction sector. EDC’s objective was to highlight the issues resulting in waste and the role of design in moving Wales ‘Towards Zero Waste’ (TZW). The morning began with introduction to the format and objectives from me, followed by Paul Jennings from CEW. Paul informed us of some of CEW’s work and a brief outline of the Construction & Demolition sector plan.

Our very own Simon O’Rafferty gave a dynamic and insightful introduction to ecodesign. He highlighted some inspiring examples of ecodesign in practice from Wales and around the world.

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Last week I gave a presentation to approximately 50 designers, manufacturers and other business people in Latvia via the web. It was part of a workshop run by the British Council but planned and facilitated by Guy and Helena from Sprout design, Jonathan Chapman and myself. It was great to be able to connect and share experiences with people in Latvia from the comfort of my house in Cardiff. The main aim of my presentation was to demystiy some of the complex issues of sustainabity and design while highlighting lessons from some designers and companies in Wales that have already gone on the same journey I expect these companies in Latvia will be going on now.

It was an extra special honour to present to Latvian industry because my Msc thesis addressed the issues of design for sustainability in transition economies with a particular interest in Baltic states. I was fascinated by the shifting cultural context in post communist countries and how this would impact on design and sustainable development. It was great to see these same issues being discussed by companies in Latvia now. In fact, the event was way oversubscribed with more than 100 companies wanting to join.

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